On a February weekend in 1999, a killer candy unwrapped quietly and finished its box office run with a paltry $3.1 million in revenue. But, if everything was going to plan⦠this is exactly what creator Darren Stein was hoping for.
Now, twenty-five years on, this sneaky sleepover staple turned enigmatic classic is still rocking us like a hurricane, JAWBREAKER! The name says it all - itāll break your VHS player from rewatches. Who could resist that hypnotic, rainbow-infused cover art that says yes, there is a dead body, but we are going to have some fun? The keen viewer knew that something here was special, something that would never feel dated but just exist. Things age so fast these days, especially teenagers.
I hold a certain amount of pride for this film that has never peaked in its post-cult status because it continues to grow its fandom and be an inspiration for artwork, TikToks, drag shows, and more. Another DOA turned-here to stay-90ās film, Showgirls, has documentaries and books about it. Jawbreaker deserves the same treatment. Rolling Stone called āJawbreakersā the best teen movie since āHeathers!ā There isnāt a better compliment than that.
āLife is hard enough without the added anxiety,ā proclaims Marcie, hysterically played by Julie Benz. Twenty-five years later and this line is ever-so-relatable in 2024. Marcieās dad voices his concern that she is a follower and not a leader, and how dangerous it is to hide our true selves. I wasted so much time being a cowering Marcie in a posse that would not hesitate to banish me in a heartbeat.
Itās easy to brush off teenagers complaining of their woes. But thereās a reason we still have dreams and nightmares of high school, lost lovers, and friends ā thatās when our anxiety was born. Itās where we learned to navigate, fight, and survive, especially if a frenemy was lurking outside your bedroom with a plan.

Let the good times roll and revisit the filmās Reagan High: Julie (played by Rebecca Gayheart) loses Liz (played by Charlotte Ayanna) to an āaccidentalā death and complies with the girl gang for as long as she can withstand. But her conscience haunts her, and Julieās defiance of Courtney (played by Rose McGowan) gets her ostracized. Julie later sees a vision of Liz, where the apparition is able to let Julie know that sheāll protect her if she can just hang in there a little longer and try to save both of their souls. (The song in this scene, āFlowā by Transister, is just one of many bangers on the impossibly incredible soundtrack)
Added to the mix is Fern, later Vylette, played effortlessly by Judy Greer. Sheās a mix of Heathersās Betty Finn, Tai Fraiser from Clueless, and Frankenstein, and I found comfort in this lesbian-coded character. The way she knew the beauty marks on Lizās neck, connecting the dots and creating artwork ā so much passion and shielded desires withered away in our little heads, with only ourselves to talk to about it.
Fern is the sole witness of the crime and is bribed with power to keep the murder a secret. Courtney isnāt stupid; rule the school but make sure to know the āshadowsā because you just might need them. Julie understands Fernās choice and even recollects their childhood innocence: āTime doesnāt erase things. People erase things.ā Soon enough, Vylette becomes stoic, popular, and monstrous under the spell that is only broken when Courtney canāt stand to see the power dynamics abused. High school never ends.
Julie puts up a good fight but her pain and isolation overcome her. She sits on her bed trying to solve her own puzzle and the annoying Rubikās Cube-like toy sheās fiddling with. But Julie is also a good person, and thatās why Lizās mom felt she should have a box full of nostalgia that just, maybe, Julie planted all along earlier on as evidence to bring Courtney down for good.
Fern and Julie walk into the prom with POWER they finally have in their favor. Thereās something beautiful about the exchange between them, reverting to childhood innocence while their peers are vilifying them. The ultimate adolescent, defense dialogue: āDo you hear something?ā āNo, do you hear something?ā These are the wits I confided in to survive the playground of school and life.
One hopes that Marcie eventually learned the error of her ways. She never gets a chance to stand up to Courtney but, for a moment at least, she controls the narrative when she confidently says āIām so bored tonightā while Courtney anxiously awaits her big announcement.
Then comes one of the best teen takedowns in film a la Carrie, and rivaled only by Cruel Intentions. The dragon is slayed, the witch has melted, and when Julie blows that kiss, the earth stops, the chilling sound effects of ice - and, perhaps, the faintest echo of Lizās spirit too. And that little, last full-circle slow-motion shot of Julie now holding the Polaroid? Chefās kiss. I canāt tell you how many times I pretended to be her in this scene!
Prom is redeemed and, in a quiet way, Julie succeeds in what Carrieās heroine Sue Snell sadly couldnāt ā saving the day. The director gives us, the outcasts, our deserved happy ending. Did we need a finale? Maybe we could have seen āpeace restoredā but to end in the height of the madness was the right choice. Trapped in the yearbook forever.

Jawbreaker is the spectrum from monsters to heroes. Watching the film as an adult now, Iām able to see how Iāve taken the form of all of these characters at some point.
It was a quiet and sunny afternoon in Malibu a few months back when I spotted Rebecca Gayheart. While Iād usually find it way too ungraceful to intrude on a celebrity, in a quick and magic moment I was āYoung At Heartā again and had to tell her how much Julie meant to me. It made her day and little me was happy that Iāve tried my best to be a Julie in a world full of Courtneys.
After all, the only thing better than being a bad bitch, is being a good bitch too. Toodles!
Devin Lotfi is an Iranian-American LGBTQ+ writer and actor from Maryland now residing in Los Angeles. He is also the host of "I Don't Want To HEAR That!", a podcast for fans of HBOās cult favorite, The Comeback!
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