A new retrospective revisits the subversive artist who queered spaces, reimagined Chicano masculinity, and forged artistic connections across avant-garde networks.
The groundbreaking exhibition at Chicago's Wrightwood 659 confronts erasure with a glorious celebration of the vital legacy of queer history through art.
By omitting the tragic story behind Felix González-Torres "Untitled" (Portrait of Ross in L.A.), the Smithsonian National Portrait Gallery is setting a perilous precedent, warns art scholar Ignacio Darnaude.