Not just a pretty face
Heated Rivalry follows the romantic relationship between two rising professional hockey players: the Canadian captain of the Montreal Metros, Shane Hollander (Hudson Williams), and the Russian captain of the Boston Raiders, Ilya Rozanov (Connor Storrie).
Reid's original novel boxes the characters into their corners. Shane is the “pretty” boy who is “like a doll," naturally “smooth” and “like a swimmer." Ilya is “masculine” and “big” and has a “muscular chest," “muscular arms” and “thick, muscular thighs."
Based on these physical descriptions, it comes as no surprise that Shane is the “bottom” in this pairing, depicted as softer in appearance and more emotional. Ilya is the “top” – a more masculine, imposing figure.
Tierney doesn’t change these roles, but instead doesn’t draw attention to how Ilya’s traits are more “manly” and Shane’s more “feminine." Rather, Tierney focuses on how Shane and Ilya’s personal lives make them who they are – in and out of the bedroom.

As Ilya, Connor Storrie gives us a bisexual man who is muscular and masculine – but he is also vulnerable. HBO

Tierney’s perspective makes the pair fully realized people. HBO
Consent is sexy
One of the biggest changes is how Tierney handles consent. Shane and Ilya have a lot of sex both in the book and in the show. In a famous scene from the book, Shane receives a call from his teammate. Ilya takes it as a chance to perform oral sex on Shane. Reid writes Shane “was soft, so maybe he really didn’t want Ilya to be doing this," and Shane describes it as “fucking creepy”.
The show adjusts this dubious consent and silent protest. Instead – after slight push back – Shane physically moves into a position that enables Ilya better access to his groin and gives facial clues that imply consent is clear.
Tierney has said adding explicit consent to this scene “makes it hotter." The line between what is acceptable is far clearer in Tierney’s show than Reid’s book because of these changes.

By foregrounding consent, Heated Rivalry makes the sex scenes ‘even hotter’. HBO
Tierney lets Ilya and Shane feel less like tough athletes, and more like two people learning to be vulnerable with each other. Ilya’s character is softened, and portrayed as a kinder masculinity.
In the book, when they both say “I love you," Ilya is stoic and “scared”. In the show he cries, happily.
In the sex scenes, Tierney peels back layers of tough, male energy and instead focuses on showing a tenderness and emotional depth more aligned with real-life gay male relationships. Tierney understands the need for emotion in this scene, and his addition shows an awareness of his gay male viewership’s need for vulnerable, fulfilling queer men on screen.
Finding an audience
In adapting the sex to the screen, Tierney spoke about how he wanted to “script the fuck out of these sex scenes” because he knew fans of the book “love this stuff." He also wanted to emphasize “horny good sex for gay people on TV," sex that “is not going to end in misery or AIDS or punishment."
Tierney’s adaptation honors both the women who will come to the show from the novel, and the show’s new male audience. He understood the show had to be spicy and honor the books, but also be authentically gay.
In this, Tierney follows in the footsteps of other amazing queer male directors and writers, such as Greg Berlanti’s Love, Simon (2018) and Peter Paige’s The Thing About Harry (2020).
Tierney’s Shane and Ilya cry, have good sex, share their hurts and worries, and work through their vulnerabilities together. All while still being active, attractive, and complicated queer men.![]()
Harry Stewart is a PhD Candidate in Queer Male Romance at Flinders University
This article is republished from The Conversation under a Creative Commons license. Read the original article.




























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