A diary entry from the iconoclastic British film director, Derek Jarman whose enigmatic movies such as Edward II, Caravaggio, and Sebastianne, captured gay longing and desire.
May 31 2015 7:35 AM EST
November 04 2024 11:25 AM EST
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A diary entry from the iconoclastic British film director, Derek Jarman whose enigmatic movies such as Edward II, Caravaggio, and Sebastianne, captured gay longing and desire.
"Dinner at Jan's. I asked him which was the 'gayest' section of the orchestra -- he said it was almost unheard of that the brass section should be, as he put it, 'friends of Dorothy'; oboes were so-so; perhaps the pianists.
In one of his newspapers Mr. Maxwell, retired chairman of the National AIDS Foundation, headlined me today as 'AIDS victim to stage Pets'. I mistakenly thought the Mirror a little more responsible than the People; but fact and truthful reporting are always the victims of money.
The night was cold. Walked up to the Heath and chatted to a 'straight' lad from Hackney, who said 'How do you know I'm not a murderer?'
'I don't,' I said. 'I don't really care if you are.'
Home by three.
(Taken from Modern Nature, published by University of Minnesota Press)
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