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Trans Tech Social Enterprises Executive Director EC Pizarro III black transgender woman or man working computer office technology
facebook @TransTechSocial; Shutterstock
Voices

Breaking barriers & building empowerment with TransTech

E.C. Pizarro III on his journey that underscores the transformative power of technology and inclusion for queer and trans people of color.

Growing up in Somerset, NJ, I knew I wasn’t like the other children, especially young black children. For a long time, I didn’t see anyone who looked like me and loved computers and technology like I did. As a child, I grew up playing on computers, from using paint to manipulating Microsoft Word in ways that should, honestly, make them call me.

In 2017, I had just moved to South Florida and was looking for my Black, trans & tech-savvy community. An ad came across my Facebook, “TransTech Miami Orientation." At the time, I was working in the tech industry for corporate America and living a stealth/low-disclosure trans experience as one of two Black men in my department. Seeing Angelica Ross and Aryah Lester on the flyer was encouraging and empowering. They were the closest possible model of visible representation I'd ever seen. I instantly signed up.

At the orientation, Angelica Ross spoke about the organization and how she was a self-taught web and graphic designer. She mentioned needing volunteers to assist with the organization's graphics. As luck would have it, I had recently joined Alpha Omega Kappa Fraternity Inc, a fraternity for men of trans experience that required service hours where I would not need to disclose my transgender identity. A few weeks later, she emailed me with an idea: TransTech Summit.

In November of that same year, at the Groupon Headquarters in Chicago, with keynote speaker TS Madison, the first TransTech Summit happened. I assisted with setting up 11 iMacs to give away, presented my first session, managed social media, and supported the overall execution of the summit. That summit was the first time I was ever surrounded by over 50 other LGBTQ+ people interested in tech! Madison spoke about the value of “5 $20's”, if you could figure out how to make that and repeat - then you could sustain yourself financially. Little did I know this keynote would be the foundation for everything that would happen in my life. To say that TransTech Summit changed my life and gave me the affirmation I needed to accomplish any goal would be an understatement.

By 2019, I was laid off from corporate America. I started work as a freelancer and building my design firm when one of my contracts received was for the 1st National Trans Visibility March in Washington. I was still living low-disclosure, and only the lead organizers knew of my trans identity. As the director asked if I had suggestions on a speaker for the march, I instantly thought of my connection with Angelica Ross who, at the time, was working on Pose. When we finally spoke, Angelica’s first question was, “Are you doing better?” I gave her an update on my life, then about the march. She agreed to be the rally speaker as long as I returned to TransTech to help the organization with the summit. I knew what the first summit had done for me and wanted to pay it forward.

Up until 2020, the summit had been an in-person event. After switching to virtual, we were surprised to have people logging in from France, the United Kingdom, Australia, and the U.S. to be part of the summit. That year, we had 13 speaker submissions for the summit and hosted a 2-day virtual experience. That year I presented and volunteered with the production team on marketing. The TransTech Summit was held during Transgender Day of Remembrance to balance the grief and sadness with joy and visibility. It left a positive impact on the industry and our growing membership.

The following year, I accepted the Summit's Interim Executive Director position. As the organization's new leader, I made my first big decision— to move the date of the Summit. I wanted it to coincide with International Trans Day of Visibility. My goal was to move the summit from shadows of sadness and grief to a space of recognition and inspiration!

Additionally, we expanded the programming from our traditional two days to four days and extended the hours. With the addition of set tracks for certain subjects, in 2022 we hosted the 2nd fully virtual TransTech Summit, and I officially became the organization's Executive Director. Across four programming days, over 500 people from around the world attended the TransTech Summit. In 2023, we hosted over 1,000 people worldwide.

As we gear up for this year’s Summit, I'm excited to see how our membership and reach have grown over the past few years. At the first TransTech Summit, our membership was roughly 350. Now, our membership is approximately 6,000 strong, across 50 countries. Our focus is to highlight the expansiveness of employment in the tech industry, across the globe

The 2024 TransTech Summit, presented by JPMorgan Chase & Co., is set to redefine the landscape of workforce development and visibility in technology. From March 28th to March 31st, attendees can go 'Beyond The Code' with our fully immersive virtual experience via the TransTech app. Each day features a distinct theme aimed at empowering, educating, employing, and elevating our community members. The final day, coinciding with Trans Day of Visibility, includes engaging activities, including a pilates session; panel discussions; and a live recording of Angelica Ross's new NOW Podcast.

As an organization, we firmly believe that technology is not confined to coding; instead, we understand that it penetrates every facet of our lives and work. By helping marginalized communities recognize the transferable life skills, we strive to create equitable opportunities for all individuals, regardless of their background or identity.

The TransTech Summit stands apart as the only global, virtual technology conference by and for the QTBIPOC (Queer, Trans, Black, Indigenous, and People of Color) community. But we encourage everyone, regardless of identity, to attend the summit. We want to extend our invitation beyond just our immediate community. We need to include our allies and co-conspirators, now more than ever, who stand with us in the fight for equality and justice for all. Your voices and perspectives are crucial in pushing towards a more equitable future.

E.C. Pizarro III is the creative director of his design and brand management firm, 1Z2R, and the executive director of TransTech Social. Follow him on Instagram at @ec.the.third.

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beyonce concert RENAISSANCE WORLD TOUR
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Voices

From 'Single Ladies' to 'Break My Soul,' how Beyoncé keeps me going

On Queen B's birthday, Beyoncé has been a cornerstone of one writer's journey, from childhood to adulthood, inspiring resilience and liberation.

Amid the ongoing aftermath of a global pandemic, a heightened political climate, and the personal challenges of launching a production company, all I can do at times to cope is throw on my girl Beyoncé'sCowboy Carter. The opening of 'AMERIICAN REQUIEM' is going to hit every time.

Looking back, I realize that Beyoncé and her music have been a cornerstone of my come-up.

From first witnessing her as part of Destiny's Child as a kid to defiantly belting out my rendition of "Listen" from Dreamgirls in my teens to bellowing "Tell 'em boy bye!" in my early twenties, Beyoncé and her artistry have undoubtedly been the soundtrack to my storied life.

She's always been there, and she's always been that girl.

I remember coming out in 2011, the same year she released 4. Two years later, after the Supreme Court ruled against Prop 8, Beyoncé posted an Instagram picture of a red sticky note with her iconic handwriting that read, "If you like it, you should be able to put a ring on it," referencing her hit "Single Ladies." I felt validated as a baby gay seeing my favorite artist publicly support the court's decision. It filled me with pride to know my girl was standing up for equal rights, standing up for my rights.

It honestly made me stan harder.

Another crucial moment when B was there was during and after the 2020 pandemic. Working in performing arts and media, worlds built on live events and packed crowds, the impact of social distancing and isolation hit hard. I was working an administrative job for one of the biggest theaters in the world and later furloughed for eight months. This was a time of angst and uncertainty for me, particularly after the murder of George Floyd and the racial reckoning that followed.

At that point, the world watched and had to take a raw look at itself.

The world of theater and Broadway was no different. While the Black Lives Matter movement rose with riots and protests in the streets, Black folks and other marginalized groups within theater institutions banded together to draft the We See You White American Theatre letter. It was filled with demands meant to hold institutions accountable for upholding white supremacy and hierarchy. It made noise, but this, of course, didn't stop me and other marginalized folks from being the first furloughed or let go from our positions. We got through, but only with some damage to our armor.

A year later, as the world slowly started to get back on its feet, I was asked back to my job and it felt like we were all slowly coming back "ou'syde!" But I felt different. A part of me knew I couldn't go back to things as they were. It no longer felt like "business as usual." Little did I know, the artist always with me had similar sentiments and was ready to make us all feel liberated.

"BREAK MY SOUL" will always be famous in this house. It became my anthem.Act I: Renaissance, an album dedicated to Black queer people who have long been among the most marginalized, served as a powerful tribute to the community. The album filled me up, ignited my spirit, and lifted me after a period of hardship. It proved that even amid a pandemic, Queen B would see us - would see me - and she was "gonna tell everybody!"

Her recent journey of reclaiming spaces that rightly belong to her and her community resonates deeply with my own experiences as a Black queer person in the entertainment industry. From being an actor and going into audition rooms, not seeing anyone on the other side of the table who looks like me, or not being "fit enough" or "masculine enough" for roles that were also never meant for me, the struggle for acceptance, inclusion, and feeling "welcome" is all too familiar.

Bey has undoubtedly been there.

Before the release of Cowboy Carter, Beyoncé mentioned that the album was inspired by an experience where she didn't feel welcomed. Many speculated this was about her 2016 performance with The Chicks at the CMAs, where someone reportedly snarled, "Get that Black b**** offstage!"

Throughout her career, Beyoncé has faced numerous instances of sexism, misogyny, blatant racism, and anti-Blackness. Nevertheless, she has consistently pushed against these archaic systems, channeling her beliefs and experiences into her art, from empowering anthems like "Independent Women" and "Survivor" all the way to "Run the World (Girls)" and "Freedom."

Despite all her acclaim and success, Beyoncé's most significant source of pride—being a Black woman—has also been her greatest predicament. From the incident at the CMAs to never winning the Grammy's coveted Album of the Year (although she is the most-awarded Grammy winner), these situations underscore that, despite her accolades and triumphs, Beyoncé continues to confront the persistent traditions of sexism and racism like so many of us.

But one must ask the question: if Beyoncé—Beyoncé?! (insert Tiffany Pollard gif)—can't shatter the glass ceilings of sexism, misogyny, and racism (and by proxy homophobia, fatphobia, and transphobia), how the hell can any of us?

When Beyonce started Parkwood Entertainment in 2008, she shared that part of the reason for founding the label was that she didn't see many Black people or women at other major record labels. Starting Parkwood allowed her more creative control and independence over her business ventures and career. As the HBIC, she aspired to hire underdogs, talented women, and people from various backgrounds who were more than capable but needed a chance.

Since doing so, Beyoncé has produced some of her most daring and culturally impactful work.

As I embark on my venture with my production company, I'm dedicated to amplifying the voices and narratives, particularly of Black and queer folx. After ten years in the business, from working at the Apollo to right on Broadway, I realized the arts weren't innately made with people like me in mind and that it's time for me to tell and share the stories I want to share in my way—exactly like my girl, Bey.

While Bey and her artistry have been the soundtrack to my life, I recognize I am not the only one she's inspired. Many people, especially Black queer folks, find solace and inspiration in her music and art. As a Black queer person who has always felt the sting of being a double (or triple) minority, that feeling of belonging I get from her work is like a balm. Our sharing in this beautiful 30-year soundtrack she's composed has also built community and chosen family (hey, Hive!)

The reason we can relate to Bey is because she is a Black woman existing in this unfair world, too. A world where, if we're being frank, there shouldn't even be a glass ceiling to shatter for me, you, or Beyonce.

When so many parts of the world try to erase our existence, Bey sees us.

From unapologetically embodying her Black womanhood to her deep love and support for the LGBTQ+ community, Beyoncé has been more than just a pop culture icon for many. She symbolizes resilience and liberation and is a beacon of hope for those at the intersections of marginalization and Black magic.

So, on the Queen's birthday, I thank Bey for being the backdrop to this musical I call Life.

As I keep trailing this path despite what the world thinks, I know she'll continue to bring the beat in and keep my enemies surprised. And I'll continue to 'stay gracious,' because as Bey says, the best revenge? Our peace and our paper.

Rayshaun Sandlin (he/him) is an artist, writer, and champion of the culture. He has contributed to Tony-nominated Broadway productions and worked with some of the most prestigious theater institutions in the world. A graduate of the S.I. Newhouse School of Public Communications at Syracuse University, Rayshaun is the founder of RAYNGE Production Company, which is dedicated to promoting and producing Black queer stories. He was recently selected for the 2024 Vox Media Writers Workshop. For more: rayshaunsandlin.com | @rayshaunsandlin

Voices is dedicated to featuring a wide range of inspiring personal stories and impactful opinions from the LGBTQ+ community and its allies. Visit out.com/submit to learn more about submission guidelines. We welcome your thoughts and feedback on any of our stories. Email us at voices@equalpride.com. Views expressed in Voices stories are those of the guest writers, columnists and editors, and do not directly represent the views of Out or our parent company, equalpride.

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E.C. Pizarro Iii