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Out100: Entertainers of the Year
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How International Mr Leather Jack Thompson's Reign Is Changing Kink

This Out100 honoree's win was historic and has caused the community to reckon with itself.

At International Mr. Leather 2019, Jack Thompson told an auditorium full of mostly cisgender, male, white, and gay leather folks, "I'm enough."

"My whole life, I've been told I'm not enough," he said. "I'm not Black enough, I'm not queer enough, not smart enough, not strong enough. Hell, there are people in this room who don't think I'm enough of a man to be allowed on this stage." Thompson was dressed in his leather formals, with a furry tail protruding from the back.

"I'm going to tell you something that it took me nearly 30 years to learn," the contestant continued. "If you're enough for you, then you are enough. Period." The speech from the trans, biracial, queer contestant who is living with HIV, got one of the only standing ovations of the night and later went viral. Thompson went on to win the sash, making him the first trans man of color to do so -- the first trans man to win was Tyler McCormick in 2010. But things haven't been easy: the win has forced the fetish and kink communities to reckon with their fellow leatherfolk that live at Thompson's intersections. It has called for needed reckonings with individuals as well as institutions that hold outmoded (and, generally, transphobic) mentalities.

"We don't throw away our leather and we shouldn't be so quick to throw away our community members either," Thompson tells Out of his approach to the fraught conversations he's often credited with starting. "However, if you flat out refuse to talk it out and see that we have just as much right to be kinky pigs as cis people do, we really don't need you here. We have bigger issues to tackle right now."

Just weeks after Thompson's historic win, this methodology was put into action. Craig MrCode, then president of the Southeast Conference of Clubs (SECC), a coalition of leather organizations, posted transphobic remarks on Facebook and downplayed the win as "politically motivated." The condemnation of the post was almost immediate from the entirety of the leather community, with #JackIsMyIML becoming a common hashtag to show support for Thompson. While some attempted to reason with MrCode, he dug his heels in, causing the situation to worsen.

ONYX Southeast, a member club of SECC, and a chapter of the overall ONYX organization for men of color, of which Thompson is a member, eventually released a statement demanding for the resignation of MrCode.

"The time for silence has passed," the organization wrote. On the same day that statement went live, MrCode was removed from his post.

But it hasn't been all negative. Thompson has stood as not only a beacon of representation but also welcome, changing tides within leather. This year has seen an unprecedented wave of title wins by not only trans men but members of ONYX. Trans men like Elliott Musgrave, Jason Boyask, and Kylar Maldonado have all won titles -- Maldonado became the first openly trans bear titleholder within the U.S. in August.

ONYX members have been bagging major nationwide wins as well. Over the past five years, there have been three Black IML titleholders, all of whom were members of the organization: Ramien Pierre in 2014, James Lee in 2018, and now Thompson, who said he's been into leather since seeing his father's motorcycle magazine at around 11 years old, before later getting into kink around 17. Thompson hopes that his legacy ends up being that kinky trans folks are treated in the same way as any other kinksters.

"I want there to be more trans folx at kinky events," Thompson says. "More at leather events, joining the clubs, going to bathhouses, playing in dungeous, and running for contests. And I want for our cis brothers and sisters to get over the idea that we are different from any of them. Especially in leather; [they] know exactly what it's like to be told that who you are and what you like is wrong in some way."

A version of this piece was originally published in this year's Out100 issue, out on newstands 12/10. To get your own copy directly, support queer media and subscribe -- or download yours for Amazon, Kindle, or Nook beginning 11/21.

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Ryan Pfluger
9 Breathtaking Portraits of Interracial LGBTQ+ Lovers by Ryan Pfluger
Ryan Pfluger
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9 Breathtaking Portraits of Interracial LGBTQ+ Lovers by Ryan Pfluger

In their new book of LGBTQ+ couple’s portraiture Holding Space, Ryan Pfluger lets love guide the lens.


Ryan Pfluger

“I exist at the intersection of marginalization and privilege. I am queer — I am nonbinary — but I’m also white. Grappling with how to handle that as an artist — for my work to investigate a nuanced and complicated space — has been a long journey,” begins photographer Ryan Pfluger (he/they) in his introduction to Holding Space: Life and Love Through a Queer Lens, a revelatory new book of portraiture centering interracial LGBTQ+ couples.

In Holding Space, the meaning of the introduction is layered. The reader learns of the intent of Pfluger’s project — to explore intersectionality through photography of these subjects. But it’s also an introduction to Pfluger, who reveals that his career choice was influenced by an upbringing where he felt powerless. “My father a drug addict, mother an alcoholic. I was outed by my mother at 13 — an age when I didn’t even know what that meant for me. Control became an abstract concept that I was never privy to,” Pfluger shares.

“The driving force to be behind the lens though, was my instinctual desire for people to feel seen, thoughtfully and lovingly,” they add. “From my own experiences and of those I love, I know how damaging being seen through the eyes of judgment, racism, sexism, transphobia, homophobia, and so on can be.”

Gaining control — guiding the lens and the narrative — was an early driving force behind his work. (A renowned celebrity photographer, Pfluger will be known to Out readers for their 2015 Out100 portraits, which included Barack Obama and Caitlyn Jenner.) As photography became “less of a craft and more a part of my being,” however, “I discovered my gift to create art also held space for others—that relinquishing the control I had so desperately craved can be more powerful than possessing it,” Pfluger says. “Photography became a vessel of healing.”

To heal, hold space, and explore intersectionality in a way not seen before through their medium, Pfluger set out to photograph interracial LGBTQ+ couples within their social circle. This time, he did indeed relinquish control and let his subjects tell their story. They could choose the setting and their style of dress or undress. The only requirement was that they touch one another in some fashion.

By the project’s conclusion — “two cross-country trips, over a thousand rolls of film, and sixteen months later” — Pfluger had documented over 120 couples, many of whom were recruited through social media and the internet. Some had broken up over that time period and pulled out of the project. Others wanted to share their heartache. Their stories, in first person, accompany their portraits, which launch Holding Space from the genre of photography book to a work of nonfiction, a chronicle of queer love in the 21st century.

“That is the beauty of relinquishing control,” Pfluger concludes. “Allowing the space for things to evolve and change — for marginalized people to have control over their narratives regardless of my intentions. To listen and learn. That is why Holding Space exists.”

Over 70 portraits and accompanying essays are featured in Holding Space, published by Princeton Architectural Press. The book also boasts excerpts from luminaries like Elliot Page, Bowen Yang, Ryan O’Connell, and Jamie Lee Curtis, and a foreword by director Janicza Bravo. Find a copy at PAPress.com, and see a selection of photography below.

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Akeem (he/him) & Samuel (he/him)

Ryan Pfluger

“Despite our different desires, truths, and fears, there was a unique familiarity that made space for us to better understand each other.” — Akeem

“We challenged the system when we decided to be together, and we’re challenging it again by staying in each other’s lives and preserving the bridges we’ve built." — Samuel

Liz (she/her) & Carlena (she/her)

Ryan Pfluger

“Each and every day I am humbled by the intersectionality of our love. By the way our individual ethnicities, races, upbringings, and queer identities guide us toward an even deeper understanding of self and other.” — Carlena

“My hope is that by continuing to love one another openly and fearlessly, future generations will be inspired to also love without any bounds.” — Liz

Chris (he/him) & Joe (he/him)

Ryan Pfluger

“We are proud to be one of the few queer interracial couples within our immediate or extended family/friend circles, which has encouraged us to speak to our experiences and help others learn alongside us.” — Joe

Jobel (he/him) & Joey (he/they)

Ryan Pfluger

“The beauty that we are coming to experience in owning our sexuality is that we can define what it means for us and how we want to experience it.” — Jobel

Luke (he/him) & Brandon (he/him)

“Our differences are a plenty, but this love does not bend.” — Luke & Brandon

David (he/him) & Michael (he/him)

Ryan Pfluger

“We started our relationship at the height of the pandemic, and it was amazing to be able to run to Michael and feel safe in his arms.” — David

Milo (he/him) & Legacy (he/they)

Ryan Pflguer

“Queer relationships aren’t tied to the limited, binary expectations that typically define heterosexual relationships.” — Milo

“Creating more healthy space in our friendship has been peaceful for us. I feel we are embracing a new form of love.” — Legacy

Coyote (he/they) & Tee (she/they)

Ryan Pflguer

“Loving you feels instinctual, like a habit I was born with. It feels like I was born to love you.” — Tee

“I can feel you loving something deeper than the surface of me and it makes me feel so alive.” — Coyote

Jo (they/them) & Zac (they/them)

Ryan Pfluger

“What can I say other than it is incredibly life-affirming when Jo and I are able to achieve the level of coordination needed to experience the sensation of ‘them,’ and that it helps when I say, ‘I love them’ or ‘I trust them.’” — Zac

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Mikelle Street

Mikelle is the former editorial director of digital for PrideMedia, guiding digital editorial and social across Out, The Advocate, Pride.com, Out Traveler, and Plus. After starting as a freelancer for Out in 2013, he joined the staff as Senior Editor working across print and digital in 2018. In early 2021 he became Out's digital director, marking a pivot to content that centered queer and trans stories and figures, exclusively. In September 2021, he was promoted to editorial director of PrideMedia. He has written cover stories on Ricky Martin, Miss Fame, Nyle DiMarco, Jeremy O. Harris, Law Roach, and Symone.

Mikelle is the former editorial director of digital for PrideMedia, guiding digital editorial and social across Out, The Advocate, Pride.com, Out Traveler, and Plus. After starting as a freelancer for Out in 2013, he joined the staff as Senior Editor working across print and digital in 2018. In early 2021 he became Out's digital director, marking a pivot to content that centered queer and trans stories and figures, exclusively. In September 2021, he was promoted to editorial director of PrideMedia. He has written cover stories on Ricky Martin, Miss Fame, Nyle DiMarco, Jeremy O. Harris, Law Roach, and Symone.